A fourth and last of the Regular Units in this series. Cavalry and Irregular troops to follow.

These figures are form Eureka Miniatures Russo-Turkish Wars range.












something different tomorrow – not sure what but it will be something different!
A fourth and last of the Regular Units in this series. Cavalry and Irregular troops to follow.

These figures are form Eureka Miniatures Russo-Turkish Wars range.












something different tomorrow – not sure what but it will be something different!
The showdown of wits and wacky characters was about to begin! In one corner, looking like two cranky garden gnomes who just stepped out of a slapstick cartoon, stood Count Hrodbert and his ‘better half’ Else. It’s a safe bet their devious scheme revolved around a mountain of flamboyant capes and a collection of daggers cleverly masquerading as side-eye glances!

On the other side stood Professor Archibald Fitch, the world-famous hermit of the linguistic realm who probably hadn’t basked in sunlight since the last time he tried to wrestle a sphinx into revealing its secrets. Beside him were his lifelong partners in academic mischief: Isabelle Marchesan, as practical as a Swiss Army knife and already taking mental notes on the Count’s fashion faux pas – those shoes looked like they had survived a rhinoceros stampede; and the whimsically quirky Ernest Flitterby, whose mind was a chaotic butterfly net full of wild ideas, often sprouting while he chased after those pesky Lepidoptera.

Count Hrodbert and his “squeeze” Else took the stage first, greeted by a crowd buzzing with anticipation—like a bunch of bees who just spotted a picnic. With her “spy” ability, Else waltzed right up to the “maguffin,” her senses sharper than a chef’s knife at a culinary competition, as she tiptoed through the sea of spectators with the elegance of a cat wearing roller skates. Behind her, a handful of trusty mercenaries lurked in the shadows like awkward party guests, ready to jump in and provide backup as if they were playing “hide and seek” but with slightly more stakes involved. Together, they were a cohesive unit, all set to pull off their zany plan while the tension in the air was so thick you could slice it with a butter knife—making their mission a real nail-biter!

The Count awkwardly shuffled back from the danger, as all self-respecting villains do, his overly dramatic gaze glued to the chaotic scene ahead, where shadows wobbled about like they were auditioning for a dance-off in the flickering torchlight. With a ridiculous smirk stretching across his face, he chuckled to himself, reveling in the thrill of suspense, fully aware that just out of sight were traps he had meticulously rigged, eagerly awaiting the next hapless fool who thought they could crash his villainous party. The air was thicker than a bowl of oatmeal, and as he watched, the night seemed to hold its breath—probably hoping for a good punchline—making every heartbeat sound like a drumroll, cranking up his excitement for the inevitable hilarity that was about to unfold.

With the air of a seasoned sharpshooter (who also happened to be royalty and surprisingly adept with projectile weaponry), Pygmy War Chief Princess Nuru coolly readied her blowpipe. Her target? An advancing mercenary, who, to his credit, looked rather confident just moments before. With a barely audible fwip and a sound that remarkably resembled a tiny, indignant fart, the dart found its mark. The mercenary, mid-stride and mid-sneer, suddenly developed an urgent need to “exit stage one” with an unexpected dramatic flair, pirouetting backwards into the nearest bush as if auditioning for a particularly leafy ballet. It was a performance that truly left an impression, mostly on the mercenary’s dignity, and solidified Nuru’s reputation as a princess who not only ruled, but also ruled the art of the swift, silent, and spectacularly embarrassing takedown.

The femme fatale Else and the down-to-earth Isabelle Marchesan stared each other down in a standoff that felt more like a dramatic soap opera than a quest for treasure, each woman embodying philosophies so different they could’ve been roommates on a “Big Brother”. Else, with her mysterious charm and a confidence that could tempt a statue, was determined to snatch up the pygmy treasure for herself, fueled by an endless thirst for gold and an impressive jewelry collection. Meanwhile, Isabelle was the voice of reason, passionately waving her hands as she argued for the preservation of the priceless artifacts, as if they were her pet rocks, emphasizing how deeply significant they were and all the juicy history they held. As the sun dipped down, casting a suspicious glow over the glittering loot, the stakes soared; it was no longer just about shiny things, but a debate over morals that could make a philosopher cry. An epic showdown was about to kick off, resembling a blooper reel from a heist movie, as the history of the pygmy people and their legendary treasures hung in the balance—along with the challenge of dodging monkey droppings like they were booby traps!

The mercenary leader, a brute with a face like a dropped pie, sauntered forward, clearly fancying himself a crack shot. He hoisted his ridiculously oversized pistol, squinting one eye like he was trying to thread a needle with a rope, and took aim at Isabelle. A deafening “THWACK!” rent the air, followed by the distinct sound of a very confused Anabathmis as the the shot ricocheted off a nearby kapok tree. The leader blinked, lowering his weapon slowly to stare at the smoking crater in the bark of the tree, miles from Isabelle. He mumbled something about “wind shear” and “a sudden atmospheric anomaly,” but even his own henchmen were struggling to suppress their snickers. Isabelle, meanwhile, just raised an eyebrow, probably wondering if he was aiming for the next episode.

A tiny whirlwind of ferocity, Isabelle, with her trusty Pygmy Warrior by her side, executed a tactical maneuver so swift and unexpected it left onlookers agape and Else utterly bewildered. The Pygmy Warrior, no bigger than a well-fed housecat but with the heart of a lion (and presumably, the battle cry of a very angry chipmunk), launched himself like a furry, weaponized projectile straight at Else’s shins. As Else yelped and stumbled, trying to swat away the pint-sized assailant, Isabelle seized her moment. With a triumphant (and slightly maniacal) giggle, she delivered a perfectly aimed, if somewhat undignified, poke to Else’s funny bone, sending her sprawling in a fit of involuntary giggles and effectively taking her out of commission. The battlefield fell silent, save for Else’s helpless mirth and the Pygmy Warrior proudly polishing his miniature spear, ready for his next act of ankle-level heroism.

Meanwhile, Archibald moves on to protect another pile of pygmy treasure, a shimmery stash of trinkets that would make even a dragon consider a career change. Each artifact seems to giggle at him, whispering tales of ancient civilizations and doing a rather poor job at keeping their secrets. As he tiptoes closer, he can’t help but feel like a bumbling librarian in a candy store, fully aware that a host of treasure-hunters would likely trip over their own greed to snag a piece of this bounty. Determined to defend these glimmering relics from the waves of snack-sized pirates, he realizes that guarding this treasure is way more than just hoarding shiny objects—it’s about giving a high-five to the legacy of the pygmies and ensuring their history doesn’t get lost in a game of “finders keepers.”

In the ensuing scene – Archibald’s Explosive Treasure Hunt (and How He Didn’t Become a Fine Red Mist) Archibald’s latest treasure hunt was about to get a whole lot more “bang” for its buck. Turns out, some distant pygmy chieftain, clearly not a fan of uninvited guests rummaging through his ancestral bling, had decided to rig the entire setup with enough high explosives to launch a small moon. Archibald, bless his cotton socks, probably imagined a gentle puff of smoke and maybe a glitter bomb. Instead, as he delicately caressed the ancient chest, there was an earth-shattering explosion that would’ve made Kermit the frog green with envy – oh wait! The jungle, for a moment, resembled a very enthusiastic disco light show, followed by the kind of shockwave that rearranges your internal organs. Now, here’s the truly baffling bit: when the smoke cleared (and the birds stopped squawking in terror), not only was the treasure perfectly fine (presumably it was made of unobtanium and good vibes), but Archibald was also miraculously in one piece. He probably just looked a bit singed, like a well-done marshmallow, and possibly had a new, rather fashionable, smoke-blackened aesthetic. One can only assume the pygmy chieftain’s booby-trap manual had a typo, accidentally setting the “annihilate” setting to “mildly inconvenience.”

Chaos reigned supreme on the other side of the set! Mercenaries, with itchy trigger fingers and a distinct lack of professionalism, were lining up to take potshots at poor Isabelle. Meanwhile, Else and a plucky pygmy warrior lay wounded and on the ground, having valiantly (though perhaps unwisely) put up a fight. Their noble efforts had clearly backfired, leaving them looking less like heroes and more like very confused speed bumps. But the true hero of this unfolding farce was the Effervescent Flitterby, a creature of pure, unadulterated whimsy, who, with his trusty butterfly net firmly gripped, charged forward in a selfless (and frankly, quite daft) attempt to shield Isabelle. Alas, his bravery was no match for the brutal realities of the battlefield, and with a rather undignified thwack that probably sounded like a wet sock hitting a melon, he was unceremoniously axed from the scene, leaving behind only a faint, glittery shimmer and a collective groan from anyone who valued a good plotline. It was a truly magnificent display of cinematic incompetence.

Count Hrodbert, a man whose bravery was as mythical as a dragon with a dental plan, finally decided it was safe to grace the stage. With the pesky “good guys in white hats”—specifically, the infuriatingly competent Isabelle—conveniently dispatched (or at least, out of the immediate vicinity, he wasn’t entirely sure, and preferred not to dwell on the details), the coast was clear. He straightened his meticulously ironed, but slightly ill-fitting, beige velvet tunic, adjusted his monocle, and puffed out his chest, which, to be fair, was mostly just a sigh of relief trapped in his lungs. This was his moment, his time to shine as the villain, a role he’d diligently practiced in front of his ornate, yet surprisingly dusty, dressing room mirror. He strode forward, attempting a menacing sneer, which, due to a slight crick in his neck, looked more like he’d just smelled sour milk. “Finally,” he muttered under his breath, convinced he was projecting an aura of pure, unadulterated evil, “the spotlight is mine!” The spotlight, however, was currently fixated on the moggy he was cradling , leaving Hrodbert to bask in the ambient glow of his own inflated self-importance.
Archibald was on set again this time the scene was Archibald’s Pygmy Peril: A Chiefly Conundrum

Undeterred by the previous, shall we say, explosive encounter, Archibald, ever the intrepid (or perhaps just incredibly stubborn) adventurer, pressed onward. His mission: to secure another glittering pile of pygmy treasure. You, astute observer that you are, immediately suspected the culprit – that long-lost pygmy chief, clearly a connoisseur of theatrical entrances and booming exits, was at it again. “Boom!” went the chief’s signature pyrotechnics, and as the smoke gracefully settled like a well-trained butler, a collective sigh of relief (or perhaps just exasperation) could be heard. Miraculously, both the treasure and Archibald, though undoubtedly a bit soot-stained and possibly ringing in the ears, remained perfectly intact. One has to wonder if the chief’s dynamite was more for show than actual demolition, or if Archibald simply possessed the luck of a leprechaun who’d swallowed a horseshoe.

With the dust (and a surprising amount of glitter from the chief’s “special effects”) finally settled, Archibald, along with his intrepid duo and a surprisingly well-organized contingent of pygmy friends, truly won the day! It was a victory forged in the fires of Archibald’s unparalleled preservation exploits and cemented by the steadfast (and frankly, saintly) support of Isabelle and Ernest. But don’t you dare think for a second that our heroes are resting on their laurels, polishing their recently acquired pygmy treasures. Oh no, dear reader! Stay tuned for the next thrilling episode, where Professor Archibald Fitch, the world-famous (and perpetually disheveled) hermit of the linguistic realm, attempts to thwart the nefarious Count Hrodbert and his dastardly denizens.
Will Archibald’s knowledge of ancient dialects be enough to decipher their evil plans, or will he just end up correcting their grammar? Find out next time!
Another unit of Indian infantry for MWWBK. I am not sure how I will class them. They were very reliable and effective troops, but with the typical attitudes of superiority and snobbery were looked down on by the British leadership.

This had the effect of reducing their combat effectiveness. I will have a think about this one while I paint the other units.






The two completed infantry units.

Indian infantry played a pivotal role in the colonial wars in Sudan, significantly impacting the outcomes of key conflicts such as the Mahdist War (1881-1899) and World War II. During the Mahdist War, these troops valiantly supported British and Egyptian forces in their efforts to combat Mahdist rebels, employing their diverse military expertise and dedication on the battlefield. Their strategic contributions were invaluable in various skirmishes and major confrontations, which helped to secure British interests in the region.

During the colonial Sudan wars, Indian infantry regiments, like the Dogra Regiment and units of the Bombay Light Infantry, played a significant role in the British Indian Army’s operations.

These regiments bolstered military strength and showcased the bravery of Indian soldiers in challenging terrains. Their participation highlighted the contributions of Indian forces to British colonial ambitions, as they engaged in battles against local forces under harsh conditions. The skills gained during these conflicts later influenced military strategies in the region, emphasizing the integral role these regiments played in British military history.

The figures are from the HaT Box 8203.

The mix of poses and a marching figure will appeal to most gamers, along with an officer firing his revolver. These men fought in open order due to the terrain and adversaries, and all figures have bayonets for use in common bayonet charges against tribesmen.

Sadly, HaT’s sculpted set lacks fine detail and natural human posture, resulting in figures that resemble mannequins. The officer’s clumsy stance and awkward arm angle detract from realism, while the bland facial expressions lack any deffinition.

I find the running figure attrocious and awkward to provide stability on its base. Anatomical the right foot is posed in an impossible position. Overall,just a pass mark for me.

More of these over the next few days.
The second unit of British

There are a few differences between this and the post of yesterday

Firstly, a howitzer instead of the Gardiner Gun

Secondly, a unit of the 17th British Lancers.


The Strelets Highlanders (1)

The Strelets Highlanders (2)

Another Officer cobbled together from HaT colonial bits and pieces.

Gardiner Gun

Assorted HaT cavalry bits and pieces put together to create a dragoon unit.

The Strelets Highlanders (3)

The Strelets Highlanders (4)

The first of the Indian contingent tomorrow.
I had planned on stopping my pre-painting preparation with the Natal Native contingent I posted on yesterday.

I had enough figures for two more British regular contingents of “Strelets” Highlanders so with all of the bases, glue, cutters, pin drills, and rattle cans already laid on the preparation table it made sense to finish these with everything ready to go.

I have to hand it to Strelets; they really outdid themselves this time, proving that chunky and naive sculpting is a true art form – if you consider abstract interpretation of reality to be art! These figures are so “below average” that I half-expect them to drop out of school. The style is chunkier than a pregnant wombat, with features that are more elusive than a cat on a hot tin roof, and some details that seem to have taken a trip to the fun-house mirror. As for the faces? Let’s just say they’re less “masterpiece” and more “guru piece,” and those crowded areas, like the chest, are so cluttered with oversized details that it looks like a garage sale on steroids!

Nevertheless I have them so they are getting used! I am not stubborn, just loudly determined!

The Strelets Highlanders (1)

The Strelets Highlanders (2)

The Officer cobbled together from HaT colonial bits and pieces.

Gardiner Gun

Assorted HaT cavalry bits and pieces put together to create a dragoon unit.

The Strelets Highlanders (3)

The Strelets Highlanders (4)
Another of these tomorrow, although some Colonial Indian units may be finished to provide a brief interlude.
The second 20mm Egyptian Army for Men Who Would Be Kings and I probably have enough figures for one more.

The Egyptians with their Fez and stark white uniforms always look great.












Back to some brethren skirmish tomorrow.

Many nations like Bono State, Ashanti in present-day Ghana, and Yoruba in present-day Nigeria participated in slave-trading for centuries, engaging in a brutal practice that devastated families and disrupted communities.

Groups such as the Imbangala from Angola and the Nyamwezi from Tanzania acted as middlemen, attacking communities to capture individuals for sale as slaves, often employing violent methods that left deep scars on survivors.

These conflicts caused instability, altering social structures and diminishing daily life security. The high demand for labor abroad and economic motives drove this slave trade, with local leaders justifying their actions to secure wealth, leading to ongoing violence and suffering.


Approximately 90% of Africans in the Atlantic slave trade were sold by fellow Africans due to desperation, highlighting the betrayal and greed that influenced these events. The lasting impacts of these injustices continue to shape societal narratives and disparities today, emphasizing the necessity for confronting and addressing past wounds for true healing.

European traders captured some Africans during coastal raids but primarily purchased them from local dealers. These dealers had well-established trading networks that enabled them to gather individuals from various communities, negotiating terms with different tribes and fostering relationships that supported the labor demand in overseas colonies.

Most of the Africans who were enslaved were captured in battles or were kidnapped, though some were sold into slavery for debt or as punishment.




The captives were marched to the coast, often enduring long journeys of weeks or even months, shackled to one another. At the coast they were imprisoned in large stone forts, built by European trading companies, or in smaller wooden compounds.

I still have a lot more Arabs nations to finish.
A second unit of Colonial Dragoons for my British Coloniak forces for Men Who Would Be King’s.

Most of the Dragoons inthe Sudan were from the 2 Dragoons or the Royal Scots Greys.

In 1884, volunteers from the 2nd Dragoons regiment joined the British expedition to rescue Major-General Charles Gordon’s garrison in Khartoum, an endeavor that was fraught with challenges and dangers.

As the situation in Sudan became increasingly dire, the regiment formed part of the Heavy Camel Regiment, which was specially organized to traverse the harsh desert terrain.

These brave soldiers engaged in fierce combat against the Mahdists at the Battle of Abu Klea in January 1885, where they displayed remarkable courage despite facing overwhelming odds.

The British forces suffered heavy losses during this intense conflict, enduring both physical and emotional hardships, as they fought valiantly to push forward. However, upon their arrival in Khartoum, they were met with the devastating news that Gordon had already met his tragic end, underscoring the grim reality of their mission and the high price of their commitment to the cause.


In 1884, the Ist Royal Dragoon regiment sent a detachment to the Sudan, where they fought at Abu Klea in 1885.