Dare to Dream

Growing up I was lucky to have two loving parents that provided great guidance. Dad was warm, kind and caring mum was a hard-nosed b#$#h whose harsh upbringing made it hard to show affection except with the showering of gifts which I loved!

Despite this they had one thing in common neither had a single gram of prejudice in their bodies, except for maybe cross-town footy team rivalry. This was unusual with the White Australia Policy, post war migration, and the deep stereotyping of Indigenous Australians. When Martin Luther King was assassinated in 1968 my father sat me down and explained why he was a wonderful man and why he should be a role model. As a result I have always “had a dream”, never standing still and never being happy with the status quo. This book helped to re-kindle those lessons.

Godfrey Hodgson’s Martin Luther King is a slim book, but it carries more weight than its size suggests. It isn’t a sweeping, romantic biography, and it isn’t written in the tone of reverence that sometimes surrounds King. Instead, Hodgson approaches him as a historian of American power and politics. The result is a portrait that feels grounded, occasionally cool, and sometimes deliberately resistant to myth.

Hodgson is best known for writing about American political culture, and that background shapes the book. King is not treated simply as a heroic moral figure, but as a product of a particular America—Cold War America, segregated America, a nation that talked endlessly about freedom while denying it at home. The civil rights struggle is set firmly inside that contradiction. Hodgson keeps circling back to the idea that King’s rise was possible not only because of his brilliance and courage, but because of structural shifts in American politics, media, and global image. In that sense, King is both a transformative leader and someone who emerges at a precise historical moment.

The early chapters sketch King’s upbringing in Atlanta and his intellectual formation with steady, economical prose. Hodgson doesn’t linger in sentimental detail. He’s more interested in what shaped King’s mind—his theological training, his reading of Reinhold Niebuhr, his study of Gandhi, his immersion in the Black church tradition. The Montgomery Bus Boycott is handled as the catalytic moment it was, but Hodgson is careful to show that King did not invent the movement; he stepped into it, and then rose within it. That balance—between individual agency and collective struggle—runs through the whole book.

One of the book’s strengths is how clearly it situates King within the machinery of American politics. The Kennedy and Johnson administrations appear not as moral bystanders but as cautious actors calculating costs and risks. Hodgson shows how federal power was reluctant, reactive, and often cynical, even while ultimately enacting transformative legislation. The Civil Rights Act and Voting Rights Act are framed as hard-won outcomes of sustained pressure, not inevitable moral awakenings.

Hodgson is also attentive to the fractures within the movement. The tensions between King and more militant activists are not softened. The emergence of Black Power, the impatience with nonviolence, and the sense that integration might not be enough are treated seriously. Hodgson makes it clear that King’s later years were marked by growing isolation. His opposition to the Vietnam War is presented as morally consistent but politically costly. It strained his alliances and complicated his standing with white liberals and parts of the Black leadership.

The final sections, dealing with King’s assassination and legacy, avoid triumphalism. Hodgson is wary of the way America has absorbed King into a safer national story. He hints, sometimes quite directly, that the King celebrated in monuments and public holidays is not quite the same man who condemned American militarism and economic injustice. That tension between radical critique and national commemoration hovers over the book’s closing pages.

Stylistically, Hodgson writes in a clean, restrained way. He doesn’t aim for lyrical flourish. The tone can feel detached at times, especially if you’re used to more intimate or emotionally driven biographies. But that restraint also gives the work credibility. It reads like a historian trying to make sense of a giant figure without surrendering to hagiography.

If there’s a limitation, it’s that the brevity sometimes compresses complexity. King’s inner life, his doubts, his personal struggles, and the emotional texture of the movement don’t receive the depth you’d find in longer biographies. The book works best as a sharp, interpretive overview rather than a definitive life.

In the end, Hodgson’s Martin Luther King feels less like a monument and more like a corrective. It reminds you that King was not just a dreamer on the steps of the Lincoln Memorial, but a political actor navigating power, backlash, and contradiction. It’s thoughtful, measured, and quietly unsettling in the way it suggests that the America King challenged still exists.

One cannot help but see the parallels with the way the Civil Rights Movement was treated in Luther’s day and the way I.C.E. are treating anti-Trump protesters today, reflecting a troubling trend that undermines the foundations of democratic expression. Many individuals brave enough to voice their dissent or advocate for social change face not only scrutiny but also systemic retaliation, reminiscent of the challenges faced by civil rights activists in the past. Even in Australia, the right to peaceful protest is becoming significantly reduced, as laws increasingly curtail the freedoms that citizens once took for granted. This pattern of suppression raises significant concerns about the state of civil liberties in modern society. If only that dream of unimpeded expression and justice for all came true!

Freedom without justice will never be achieved, as the two concepts are intrinsically linked; true freedom can only flourish in an environment where fairness prevails, where everyone’s rights are protected, and where the rule of law is upheld, ensuring that each individual can live without fear of oppression or discrimination. Without justice, freedom becomes merely an illusion, a hollow promise that is easily undermined by inequality and injustice, leaving society fractured and vulnerable. To realize a world where freedom takes root, we must strive tirelessly to establish a foundation of justice that empowers every voice, validates every struggle, and champions the cause of equity for all.

Thus endeth the rant.

Great book. A must read.

Rating: 5 out of 5.

PS “Strength to Love” by Martin Luther King is also a must have. Although a compilation of sermons even the non church goer should enjoy. The sermon “Be as wise as serpents and harmless as doves” is especially worth a look. King often used this verse (Mathew 10.16) to explain the strategy of non-violent resistance during the Civil Rights Movement. For him, it captured a tension. Wisdom of serpents equating to strategic awareness, intelligence, realism about injustice. Harmlessness of doves to moral integrity, refusal to hate or use violence. He argued that effective social change required both, not just one.

Flying off into the wild blue yonder

Today I am heading off on a 10 day holiday to Thailand but I have organised ahead of time to have my daily posts scheduled.

I’m a book-devouring monster with a paintbrush that gets jealous of my reading time, so you can expect plenty of book reviews. But fear not! I’ve managed to sneak in some artsy shenanigans to shake things up a bit as well. Who knows, maybe I’ll even throw in a “line or three” from my time in Thailand, because who doesn’t want to be made jealous by me flouting the good time I am having on vacation?

See you on the 9th of March!

Why I War Game

Just a short “Guru Rant” today.

I did not come to wargaming by accident. Like many who remain in the hobby for decades, I arrived through curiosity and stayed because it answers questions that ordinary reading cannot. From the outside it can look like a game about winning and losing. In practice, it is something quieter and more reflective: a way of thinking through history, decision, and human behaviour under pressure.

One of the principal reasons I war game is that it makes history active. Books provide interpretation and narrative; they tell us what happened and, sometimes, why. A wargame asks a different question: what might have happened if decisions had been made differently under similar constraints? Once figures are placed on a table and a situation begins to unfold, distance, time, and uncertainty all become tangible. Plans that look straightforward on paper quickly become complicated. Movement takes longer than expected. Information arrives late or not at all. Units behave in ways that are entirely plausible but rarely convenient. The exercise does not replace reading; it deepens it. It allows the participant to experience, in a modest and controlled way, the friction that shapes events.

Wargaming is also a form of structured storytelling and the narrative side of the game is extremely important. Each game produces a narrative that could not have been written in advance. Units advance, stall, withdraw, or hold unexpectedly. Small acts of initiative or hesitation accumulate into larger outcomes. Over time, campaigns emerge—less like scripted novels and more like a series of connected episodes shaped by decision and chance. This evolving narrative is one of the great pleasures of the hobby. It gives context to individual actions and turns a tabletop encounter into something that feels lived rather than merely observed.

The physical side of the hobby matters to me as much as the intellectual side. I like painting the figures and making the terrain. There is satisfaction in taking a plain casting or a bare board and turning it into something that evokes a landscape and a moment in time. Painting is slow, deliberate work. It encourages attention to detail and to the character of the subjects being represented. Building terrain does the same. Hills, scrub, buildings, and roads are not just decoration; they shape how the game unfolds. Constructing them is a way of thinking about how ground influences movement, visibility, and decision. By the time a table is set, it already tells part of the story.

There is also the engagement of wits. A good game is a quiet contest of judgement rather than a race for victory. I enjoy the psychology of pitting myself against an opponent: trying to anticipate intentions, reading hesitation, deciding when to press and when to hold back. This is not about triumph in a narrow sense. Winning is not necessary. Participation is. The interest lies in the exchange itself—the measured testing of plans against another mind working just as carefully. A well-fought draw or even a thoughtful defeat often provides more insight than an easy win. What matters is the process: the decisions made, the risks taken, and the unfolding interplay of action and response.

Design and adaptation form another part of the attraction. Thinking about rules forces one to consider what truly matters in a given period. Is morale more decisive than firepower? How should uncertainty be represented? What level of detail clarifies rather than obscures? These questions turn the design process into a form of historical analysis. A set of rules becomes an argument about how conflict functions. Adjusting those rules after play—seeing what works, what does not, and why—keeps the hobby intellectually alive.

Finally, wargaming offers a particular kind of companionship. Around a table there is usually as much conversation as competition. Players discuss sources, compare interpretations, and share ideas about tactics, terrain, and design. The atmosphere is collaborative even when the game itself is competitive. Over time, a shared understanding develops: a sense that everyone present is engaged in the same ongoing exploration of history, imagination, and decision.

I war game because it brings together all these elements. It makes history tangible, encourages careful thought, rewards creativity, and provides a space where engagement matters more than outcome. Each game is a small act of inquiry, conducted with painted figures and measured distances instead of footnotes and lectures. That combination—hands, mind, and imagination working together—is reason enough to keep gaming!

Thanks to my mate “chatty” for drawing the pics.

The Giant “Maccullochella peelii”

Whenever you find yourself wandering around Australia, you’ll probably bump into one of those huge weirdos known as “The Big ……”. These giant creations are like a wild mix of funky art and local vibes, and they totally catch the eye of both travelers and locals. I’ve been skillfully avoiding this particular beast hanging out nearby for what feels like ages, coming up with smart excuses to skip it on my trips. But finally, with a pocket full of time and a dash of curiosity pushing us on, we decided to give in and dive right in! As we got closer, the massive size seriously blew us away, and every quirky bit seemed to have its own fun story, inviting us to check it out more and soak up the playful charm that makes Australia’s roadside attractions so one-of-a-kind.

Yep, you guessed it—a giant cod! This delightful fish, which some might call the “Hulk” of the ocean, can bulk up to several hundred pounds—impressive enough to make a weightlifting champion jealous! Often found lounging in the river depths like a water skier on vacation, it swims around in search of tasty snacks, probably dreaming of not being the catch of the day. With its robust body and audacious size, it’s no wonder this fish has become the unofficial mascot for anglers and river enthusiasts, who often joke that a good catch could rival a small boat!

I always thought SWMBO was a catch fit for a trophy shelf, admired not just for her dazzling looks but also for her smarts and razor-sharp wit that could make even the dullest fish chuckle, but hold on—looks like the Giant Cod has decided the tasty morsel too much bait and is spitting her back out!

No wait, who’s the real gem in this circus? It looks like SWMBO is, strutting her clever charm and undeniable charisma, all while expertly taming the “monstrosity” that has everyone scratching their heads in confusion. This unlikely pair puts on a show that’s nothing short of delightful, as her sparkling personality hilariously juggles the chaos brought on by her wonderfully bizarre sidekick! But who is the real monstrosity that she has tamed? Guru? Hmmmmm!

On a more serious note, the Acadia native Fish Hatchery is well worth a look. It has a very informative interpretive display, picnic grounds, and a fishing dam (current fishing licence required, and normal catch limits apply).

Once in great numbers the Murray cod is now listed as a vulnerable species.

I really liked the “Spirit of the Murray Cod” interpretive display.

As I said well worth a visit.

The tale of a military ambulance

The region in which our Nagambie home nestles is one of Australia’s greatest wine growing areas. Just five minutes away are two of the finest in Tahbilk and Mitchelton wineries. Tahbilk is one of Australia’s oldest wineries and still has the original heritage listed buildings.

A few kilometers further is Mitchelton winery in stark contrast. An extremely modern facility with luxury accommodation, day spa, award wining restaurant, and of course Cellar Door sales! None of these were the reason for our visit, although significant attention was paid to the cellar door tasting area!

The reason for our visit was to spend some time in the Aboriginal Art Gallery – the largest in Victoria and view the message stick vehicle.

Michael Butler was an Australian journalist active during the late 1960s and 1970s whose work increasingly crossed from reporting into direct cultural and political activism. Rather than writing about Aboriginal systems of law and communication from a distance, Butler chose to demonstrate them in practice. The Message Stick Vehicle was the result.

When Michael Butler acquired the old army ambulance, he transformed it into a modern carrier of the Aboriginal message stick. Inside, it held a traditional message stick given by elders, symbolising communication, safe passage, and responsibility. The choice of a military ambulance was intentional; a vehicle once used for war and injury became a tool that upheld Aboriginal tradition, law, and connection.

As Butler drove the ambulance around Australia, the vehicle became part of the message. People who met the journey painted, signed, and marked its bodywork. Rock musicians, actors, politicians, and public figures added names and symbols to the old army panels. The once uniform khaki vehicle turned into a colorful surface of protest and recognition. Among those who signed were political leaders like prime ministers Gough Whitlam and Bob Hawke, along with influential artists such as Jack Thompson, David Gulpilil, Peter Garrett, Margaret RoadKnight, all linked to the protest culture of that era.

By the end of its journeys, the former ambulance no longer represented military order or emergency response. It had become a rolling document of witness and endorsement — a message stick on wheels. Scarred, dusty, and crowded with paint and signatures, the vehicle embodied a powerful reversal: a machine built for war redeployed to carry law, memory, and recognition across the continent.

Perhaps the most famous signature.

Galarrwuy Yunupingu activist, lead singer and artist.

The vehicles full story can be found here on YouTube

Chao Phraya River Cruise

On the second night of our stay in Bangkok we went on a night cruise along the Chao Phraya River. The night was balmy and a slight breeze made for a pleasant cruise. It was times like this that I wish I brought the SLR rather than relying on the phone camera!

The Chao Phraya River, the majestic waterway that flows through Bangkok, is frequently bestowed with the regal title, the “River of Kings.” It is rightly considered the undisputed lifeblood of the entire city, possessing a rich and profound history that is intrinsically intertwined with Bangkok’s very development. Beyond its historical significance, the river continues to play a major and irreplaceable role in the city’s modern-day transportation network and the daily rhythms of local life. Numerous barges were passed plying their trade overnight.

The river’s significance cannot be overstated, as the Chao Phraya quite literally flows through the heart of the city, making it a geographical centerpiece and a central element of Bangkok’s unique cultural identity. Historically, the river was absolutely crucial for the founding and establishment of the capital city itself. Its extensive network of natural and man-made canals, or khlongs, once gave Bangkok the famous, romantic nickname, “Venice of the East,” reflecting how central water transport was to the early settlement.

Even today, the Chao Phraya River remains a powerfully vital transportation route. Far from being a mere tourist attraction, the river is heavily utilized for daily commutes, with countless residents relying on the various express and cross-river ferry boat services. This continuous usage highlights its enduring, practical importance as an essential artery for moving people and goods efficiently across the sprawling metropolis.

The food was magnificent and the beverages well…………………… unfortunately I cannot remember!

There are many cruise operators and we were advised to stick with the larger and slightly more expensive options and we were delighted with the choice.

Phu Pha Sawan Waterfall

Tucked in the green heart of Phatthalung Province, Phu Pha Sawan Waterfall is a beautiful hidden gem in Southern Thailand. Unlike popular tourist spots, this multi-tiered waterfall provides a refreshing retreat into untouched jungle. You’ll find clear pools, birds singing, and the calming sound of falling water.

The sound of village children enjoying the simple pleasure of bathing in the rock pools, and using the wet rocks as water slides just added to the experience.

Catching up for a chat and swapping holiday destinations and stories with some Icelandic tourists provided an enjoyable interlude.

The numerous limestone cliffs that surround Phang Nga are a haven for waterfalls. Sandwiched between Krabi and Phuket this is a must see destination which is only now being discovered as a holiday destination.

“The Quokkas of Rottnest Island are we”

Rottnest Island, a charming little speck off the coast of Perth in Western Australia, is basically the quokka’s version of a five-star resort. These adorable, cat-sized macropods have turned the island into their personal playground, boasting the largest quokka population on the planet. With an estimated 10,000 to 12,000 quokkas chilling out, this place is like a VIP club for the species. While their mainland relatives are busy dodging habitat loss and uninvited feral cats, Rottnest quokkas are living the dream in a predator-free paradise—just a bunch of happy little folks basking in the sun, with only the occasional snake spoiling the party.

Seeing the quokkas was at the top of our bucket list, right next to “learn to juggle flaming torches” and “become a professional cat whisperer” (because who doesn’t want to talk to cats about their feelings?). We were absolutely buzzing to tick this one off our list before we got sidetracked by our next absurd adventure! Seriously, those adorable little creatures have a talent for making even the grumpiest of curmudgeons crack a smile with their cheeky expressions and seemingly endless enthusiasm for life.

As we approached their habitat, we felt like kids in a candy store, each quokka sighting prompting fits of giggles and spontaneous, awkward photo sessions. With our cameras clicking away and our silly selfies looking like we were auditioning for the lead in “Quokka Gone Wild,” we knew this would be a memory we’d cherish forever, right alongside our dreams of fire-juggling and chatting with felines about their deep existential crises!

The undisputed kings of looking perpetually happy. They live on Rottnest Island, a place that’s essentially a five-star resort for tiny marsupials who’ve figured out the secret to life is just… smiling. Seriously, a quokka’s face is a masterclass in blissful contentment. They look like they just heard a hilarious joke and are trying not to laugh, which is probably about a human trying to get a selfie with them.

These little legends have perfected the “I’m with stupid” shirt, but instead of a shirt, it’s just them standing next to a human trying to get the perfect photo. They don’t have to work out, they don’t have to pay rent, and their biggest daily challenge is probably choosing which blade of grass to chew on. Their entire existence is one long, beautiful vacation, and frankly, we’re all a little jealous.

They’re so chill, they’ve convinced everyone they’re harmless, fluffy potatoes. But don’t be fooled. They’ve got a bite force strong enough to chew through tough plant matter, so they’re basically a fluffy, smiling ninja. Still, they’d probably prefer to use their powers for good—like holding a tiny press conference to announce their new health insurance endorsement deal.

So, when you see a quokka, remember who’s really in charge. They’re the ones with the perfect lighting, the charming good looks, and the easy-going attitude. You, on the other hand, are the awkward tourist who just stumbled upon a natural-born supermodel. Just accept your role, snap the picture, and bow to your new, fuzzy overlord.

The tourist village hangout is not just a pit stop for travelers; it’s like the grand stage of a quirky production starring local culture and community tales. Quokkas aren’t merely hanging out—they’re channeling their inner wilderness warriors in the “bush,” where Wi-Fi is as rare as a unicorn sighting, giving you a taste of their offbeat lifestyle. With nature throwing shade and wildlife critiquing their every move, these little guys hold onto their traditions like they’re auditioning for a reality show titled “Survival of the Cutest!”

Quokka capers!

Had a ball. A must see.

Rating: 5 out of 5.

Are Wargamers Crazy?

A pleonasm if I ever saw one! Hey crazy is good…………right?!

After all I enjoy a good weird war game every now and then.

Well on the last day of our short mid week break (some posts on this over the next few days) we came across a very different sort of weird!

The annual WAFF (West Aussie Furry Friends) convention was happening in our hotel. I didn’t know this even existed and not sure that I want to!

A description from the organisers website:

Sharpen thy swords and fluff thy tails! WAFF 2025 dons its finest cloaks and chainmail for Knights of the Roundish Table — a medieval misadventure packed with honour, hijinks, and just a touch of nonsense. Join fellow furs in a land of heraldry, merriment, and noble silliness where dragons are optional but good vibes are mandatory. Whether you’re a gallant knight, a mischievous bard, or a humble potato farmer, there’s a place for you at our table (round-ish though it may be)!

Sounds like a twist on D&D but I am really not sure.

At least they enjoy leaning on the bar, so they can’t be all bad…….can they?

Just plain creepy and I don’t mean in a good way!

Watch out Ms Hood I’m coming for you.

I always thought “Westies” were weird, but this takes it to a completely new level.

Apparently this is quite a phenomenon with next year’s event a bit too close to home. Melbourne Fur Con is happening in February 2026 at the Preson Novotel!

The attendees were great fun and Maree had a great time cuddling some new “furry friends”, and just loved the costumes. We had to fly out or I would have tried to “gate crash” the event to find out more.

Taking a short break

From today we are taking a short break and are flying off the Perth which doesn’t sound as if we are not going very far but the 3400 kilometre trip is further than London to Moscow!

Daily posts have been scheduled in advance so you won’t miss your daily “Guru fix”. I will answer your replies etc. when I return.

See you over the weekend!