I often wax lyrical about new figures, but not often about their manufacturer. I was trying to find some cheaper alternatives for some of the “bad guys” for Silver Bayonet and came across Studio Historia Miniatures.

I was not surprised that they had cheaper Zombie camels and Serpopards for “Egypt the Shadow of the Sphinx” than “North Star”. What I was surprised about was their extensive range of historicals, moderns, fantasy and post apocalyptic, all at reasonable prices.

Zombie Camels

Here they are. No flashing and great detail. They do not come with bases but they stand flat (except for the three legged one) and are very evocative.

Egyptian Serpopards

They are far more detailed and and heroically larger than those from the Silver bayonet range which is far more appropriate for a horror monster!

I was also quite take with this must have post apocalyptic family

Again quite detailed with excellent poses. The little girl eating is very well done.

My experience with postage from Greece has been average at best, but Studio Historia were quick to print and post and they arrived within days. They have a huge range and are well worth a look at.

It is about that time again when I need to take stock of what I have been working on,

This in the “in progress” pile and gets some paint on it when I am using a colour that they require.

Mudmen for Bob Murch’s Pulp Range

Eureka Miniatures Zombie Pirates

Eureka Miniatures Dyak Warriors. These are to be used for the Borneo Campaign in 1945, alongside Australian Z Force commandos. Yesterday I sorted out the rifles I need to replace their spears.

Z Force Commandos

North West Mounted Police in dress uniform and lance.

Khorne Chaos Daemon.

The last unit of Khorne Bloodletters

20mm WW2 Assorted Landing Boats

Dr Who Ogryns that have been in the same state for some time.

Landing Craft in 28mm that need repairs after their last outing.

Midlam Miniatures bandits

20mm Airfix Australian porters

20mmm Universal Carrier and car

German Weird War German wind up Gyro-copters from Eureka Miniatures,

28mm WW2 Africa “Corpse” zombies.

Assorted 20mm WW2 Australians

Sherman Flail tank

Mark 1 tank

Snowball fight children

28mm Hyenas

Sergeant Presto of the Yukon and King in canoe

Dad’s Army motorcycle combo

That’s it for the “in progress” bench so now to the painting desk.

The painting desk

The third unit of Bloodletters

Modern Afghan civilians

28mm Celtic chieftans

Celtic slingers

More Celtic leaders and druids.

Nothing if not eclectic! I will work on these during the holidays unless Santa brings me something “new and shiny” to distract me.

Since ancient times, it has been the role of elders to shepherd the young through the awkward rites of passage, helping them qualify for the elite club of those who know all the secret handshakes. This sacred duty feels as heavy as Aunt Edna’s famous fruitcake—just waiting to topple! Through ceremonies filled with gestures that might confuse a toddler and teachings that shouldn’t be taken too seriously, these wise figures not only pass down rituals but also the juicy gossip of their ancestors. The young initiates teeter on the edge of adulthood, expected to embrace these pearls of wisdom like a cat embraces a box, beginning a journey that connects them to their family tree—branches and all—while preparing them for life’s ebbs and flows. In this way, the circle of wisdom keeps spinning, connecting the past and future, as each generation hilariously fumbles its role in the ongoing sitcom of their culture.

Two young adults, buzzing with curiosity but slightly freaked out, tiptoed into what felt like a high-stakes family outing led by the elder of one of them, who was apparently an expert in all things ancient and a bit quirky. While it was structured like a serious ritual with a side of history, I couldn’t shake the feeling it was more about keeping these kids entertained; the elder’s true mission appeared to be making sure they followed the family tradition like pro performers in a comedy show. The air was thick with nervous giggles and a sprinkle of “seriously, what is happening?”, as the duo shot each other looks, wondering if they’d stumble upon some life-changing wisdom or just get roped into a weird game of charades in this mysterious place.

With this serious ritual on our hands, we rolled out the red carpet for the confused newcomers, trying to make tradition seem cool and exciting. As the candlelight flickered like it was auditioning for a horror movie and ancient chants echoed like a karaoke night gone wrong, we stumbled through the steps, explaining the “oh-so-important” meanings behind each move. History felt like a heavy backpack on our shoulders, but we made sure to hand off our sacred knowledge, making sure they were just as baffled as those who came before them!

Seriously, it was a great pleasure to assist in turning these young ladies away from the darkness that is “Dungeons and Dragons” to proper gaming, where the focus is on collaboration, creativity, and engaging narratives that foster teamwork and friendship. By introducing them to diverse and wholesome alternatives, I witnessed not only their enthusiasm grow but also their skills in critical thinking and problem-solving develop, allowing them to experience the true joy of gaming in a positive environment that nurtures their imagination.

The game of “Brethren” was a wild Viking extravaganza, where sneaky Norsemen plotted their raid like a bunch of over-caffeinated koalas trying to snag the last gum leaf from the sacred trees of Eaglais na hÉireann (Irish) Kirk o Airlann. This ancient worship spot wasn’t just a sacred building; it was the neighborhood’s favorite selfie backdrop and a glue stick for community bonding. As the sun set, painting the sky in shades of drama, each player, representing their own quirky factions, felt the tension rise like a well-cooked pot of stew. The goal? Simple! Whoever could lay claim to that kirk by the end of the game would strut away with not just a pile of loot, but also bragging rights worthy of a Viking saga. Every move was like a game of chess in a room full of toddlers—strategic yet chaotic, as alliances changed faster than socks on laundry day, making every decision feel like a shot in the dark between conquest and a spectacular faceplant.

The Viking hordes amass outside the church, eager to gain the expected loot, their fierce faces lit by the pale light of dawn, resembling an overly enthusiastic bunch of kids waiting for a piñata to burst. They grip their weapons tightly—though some seem more interested in primping their beards than planning an actual raid—whispering excitedly about the treasures hidden inside, convinced it’s all gold and dragons. The wooden doors stand sturdy, but really, how long can they withstand a group of muscle-bound Norsemen who haven’t had their morning coffee? Inside, the unsuspecting Irish are blissfully unaware, likely debating who makes the best porridge, while outside, the tension builds like a pressure cooker, and the sound of clashing metal echoes, making one wonder if someone just dropped their cafeteria tray.

The Irish noble and his henchmen advance resolutely to defend the ancient church against those fish-smelling, dirty, dastardly Vikings, who threaten their sacred ground with their merciless and vicious ways. The Irish leader, already carrying the gruesome trophy of a severed Viking head held high to spur on his charges, rallies his men with fiery words, igniting their courage and determination. Each warrior, inspired by the sight of their noble commander, grips his weapon tightly, steeling himself for the ferocious clash that is sure to come, as the sun sets behind the hills, casting an ominous glow over the impending battle.

Irish bowmen tiptoe through a shady grove, trying to keep their footsteps quieter than a cat on a hot tin roof, as they hilariously prepare for a surprise attack on the invaders who are practically serving tea on their sacred soil. With exaggerated, theatrical breaths, they draw their bows, hands steadier than a kid in a candy store, each archer fully aware that their ancestors are probably shaking their heads in disbelief at their lack of stealth. The air is thick with tension and the unmistakable aroma of gum leaves, as the sunlight plays peek-a-boo through the branches, sprinkling the scene with a touch of drama and exposing their determined yet slightly goofy expressions. With a comical wink, they unleash their arrows, turning the peaceful woodland into a chaotic flurry of whistling sticks, ready to defend their homeland with a dose of unwavering courage mixed with a dash of absurdity.

Viking invaders, fueled by their grand dreams of conquest and perhaps a little too much mead, swagger in to trade arrows with the local Irish defenders, only to be hilariously taken down by the spot-on fire of the Irish archers, who are practically hidden among the trees like nature’s own version of a game of ‘Where’s Wally.’ These bow-wielding pros unleash volley after volley, turning the battlefield into a comedic display, showcasing not only their impressive skills but also their fierce determination to keep their homeland safe from these sword-swinging party gate-crashes.

A huge melee ensues within the walls of the sacred site. Blow after blow is exchanged, echoing against the ancient stones that have withstood countless cosmic fights between good and evil. The tension is palpable, as none give way; ferocity fuels the conflict, and determination glows in every combatant’s eyes. Altar and pew are scattered everywhere, their former sanctity desecrated by the chaotic fury of the struggle, as dust swirls and cries of anger reverberate in the air, painting a grim picture of chaos and desperation.

The Irish noble sights the invading leader from across the battlefield, his heart pounding with righteous fury. Without hesitation, he charges into battle, gripping his large axe tightly, the weight of his ancestors’ courage spurring him on. As he closes the distance, each step feels like an echo of history, a reminder of the countless warriors before him. With a fierce battle cry, he swings his axe with all his might, striking a huge blow that sends shockwaves through the air. In dramatic slow motion, the head of the Viking leader is severed from his body, falling to the ground as if time stands still. The sight ignites a roar of triumph among his fellow warriors, marking the battle won and ensuring that this victory will be remembered in the annals of history!

A bit OTT? You bet! But let me tell you, Wayne and I were on a mission to introduce these young ladies to the fabulous world of “war dollies,” and what a spectacle it was! We spent hours together, laughing so hard we almost rolled off our chairs, while navigating the battle scenario that felt more like slapstick comedy than strategic warfare, complete with die rolling that could put a circus act to shame and plans so hopeless they would make a wombat laugh. The sheer excitement in their eyes was infectious; I swear you could almost see their imagination doing cartwheels! It was like watching ourselves relive our own inauspicious beginnings in wargaming, where each plastic figure suddenly took on a life of its own, and every game turned into a legendary saga of ‘whoops’ and ‘uh-ohs!’

Australia’s snakes are well-adapted for self-defence, with around 170 species exhibiting unique traits. Some possess highly toxic venom that allows them to hunt larger prey and stay safe from threats. While many people fear them, snakes play a crucial role in controlling rodent populations. Understanding their behaviour and respecting their space can help reduce negative interactions with humans.

Australia, unfortunately, has the two most dangerous snakes in the world, the first is the Inland Taipan (Oxyuranus microlepidotus).

The second is the Eastern Brown snake (Pseudonaja textilis).

Most snakes prefer to slither away from humans instead of fighting because confronting larger creatures is risky. They don’t see humans as food since they mainly eat smaller animals. Snakes don’t bite for fun; when scared, they hide or blend in. Their venom helps them catch prey that is too hard to manage, allowing them to tackle surprisingly big animals. This process is essential for their survival and helps maintain balance in nature.

The most common snake, and certainly the one that I see most days is quite small, soft and likes to congregate in large dens of snakes in close confined areas. I am continually having to keep a close watch on my Grand-kids as they are fascinated by them.

One snake has 30 calories, and 5.7g of sugar. The Grand-kids would need to walk for approximately eight minutes to burn off that excess intake. This also ranks them as one of the most dangerous, although not venomous, snakes in the world!

However, more dangerous than any of these is a snake found in Egypt, and it is not the Cobra!

A packet of these for a few dollars made for a very cheap den of snakes for silver bayonet.

At about15cm (6 inches) I was hoping to coil them up so I didn’t need to cut them, but even with pinning and gluing they just wouldn’t stay in place.

I tried cutting them to make them smaller but the tapering meant they couldn’t be joined together without a lot of modelling, and to be frank I was just not interested in putting a lot of work into these.

In the end I just hacked them into the length I needed gave them a “quick and dirty” taper and they were ready to paint.

The Egyptian supplement for “Silver Bayonet” has three distinctive types of slithery monsters. A snake swarm, Uraeus – gigantic cobras which I have several of, and vipers the most deadly. These are going to used as the vipers and I intend to green stuff some swarms if I cannot find any on the net.

I shall just go slithering away to eat another 30 calories, and 5.7g of sugar!

I prefer the sweet and sour ones myself! Guru says “Life is to short to live small so if you are going to indulge, indulge big”!

Like this Cherry & Blue Raspberry Party Gummy Python which is the most over-the-top confection I’ve ever seen. This eight foot slab of serpentine sweetness is an amazingly detailed work of candy art, featuring coils of gummy goodness with lifelike scales, and intricate eyes that seem to stare back at you.